I am no longer blogging here at Little Nuances, but I would love for you to join me on my author website www.leewarren.info.

Thursday, September 08, 2011

Live from Daryl's House

Daryl Hall & John Oates
Photo: Gary Harris
Live from Daryl’s House, the free monthly web show in which singer Daryl Hall invites other performers to come to his house so they can jam together, is genius on so many levels. The sessions combine the best of multiple artists, often from multiple generations, and gives music lovers the passionate, believable performances they crave.

The current episode (#45) with Grace Potter is one of those – especially their rendition of “Low Road.” [If you are reading this post via email, you’ll need to click through to the blog to see the video since video doesn’t show up in email.]



The song opens with layers of guitars, every note having a purpose. And as Potter sings the first line, “I lost everything / I fell out of a daydream / At the door of a long lost friend,” she sings with her hands as much as her voice.

As she sings the second line, “And I cried aloud / Without an inch of pride / I knew I had reached the end,” the camera dips down low, capturing Potter, who is lost in the moment, and a photo of T-Bone Wolk, who played based with Hall and Oates. He died of a heart attack in 2010 at the age of 58. He appears in many of the previous episodes and it seems fitting to see him in this one because something magical is taking place – a blend of young and old, singing about loss and hope. And as they hit the chorus that contains wisdom from an “old and lonely man,” you can feel the hope.

But it’s a low low road
You’ve gotta roll down
Before you find your way, my friend
And it’s a high, high hill
You’ve gotta climb up
Before you get to the top again


In the next verse, Hall sings about making wrong choices and then he comes to the line, “But now I see so clearly,” and the way he sings the word “so,” will remind you of a dozen other Hall & Oates songs – in the most nostalgic of ways. Meanwhile, Potter dances and makes you feel like you are watching a performance from the early 70s. But somehow, the performance feels 2011ish at the same time.

Hall is 64 years old. Potter is 28. But the music erases those lines and you get lost in the moment. That’s the beauty of it.

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